İYİLİK İÇİN SANAT DERNEĞİ

Hasiyne Ayhan

Drawers II

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EXHIBITION: Walking on Moon Dust - IBB Taksim Art

DESCRIPTION

Hasiyne Ayhan was born on 12.06.1988 in Liestal, Switzerland. She completed her primary and secondary education in Afyonkarahisar/yne Ayhan was born on 12.06.1988 in Liestal, Switzerland. She completed her primary and secondary education in Afyonkarahisar/Sandıklı. He graduated from Anadolu University/ Faculty of Economics/ Economics departmeasiyne Ayhan was born on 12.06.1988 in Liestal, Switzerland. She completed her primary and secondary education in Afyonkarahisar/Sandıklı. He graduated from Anadolu University/ Faculty of Economics/ Economics department in 2012. In 2024, he graduated from Afyon Kocatepe University/ Faculty of Fine Arts/ Painting Department as the first in his faculty and department. In 2024, he opened two different personal exhibitions, one of which was from his patterns. He continues his master's degree at Afyon Kocatepe University/Social Sciences Institute/Painting Major Art Branch.


The drawer metaphor symbolizes the archetypal descent into the unconscious and symbolizes the unconscious of a house and its inhabitants.he drawer metaphor symbolizes the archetypal descent into the unconscious and symbolizes the unconscious of a house and its inhabitants. Drawers, which are often ignored in our daily lives bhe drawer metaphor symbolizes the archetypal descent into the unconscious and symbolizes the unconscious of a house and its inhabitants. Drawers, which are often ignored in our daily lives but actually carry the traces of our personal history and habits, also open a window into the inner world of the individual who uses them. This work is an inquiry into the layers of existence by depicting a dive into the most intimate and often overlooked places of everyday life, namely, drawers.Dec. The two open drawers are not only places where objects are accumulated, but also embodiments of the self, time and memory.he two open drawers are not only places where objects are accumulated, but also embodiments of the self, time and memory. Therefore, the work called Drawers echoes the drawer, Jean-Paul Sahe two open drawers are not only places where objects are ccumulated, but also embodiments of 


70x100 cm. Acrylic on canvas, 2024

Other Works in the Exhibition