Born in Liestal, Switzerland, in 1988, she completed her primary and secondary education in Sandıklı, Afyonkarahisar. She graduated from the Department of Economics at Anadolu University in 2012. She graduated from the Department of Painting at Kocatepe University in 2024, ranking first in her class and first in her department. In 2024, she opened two solo exhibitions, one of which focused on her drawings. She is currently pursuing her master's degree in the Department of Painting at the Institute of Social Sciences at Kocatepe University in Afyon.

These works, centered on the encounter between an empty pair of shoes and the ravens surrounding them, reveal the silence of post-disaster existence. Inviting the viewer to consider the relationship between representation, trace, and absence, the work constructs a scene where the human disappears through the objects and animals left behind. As material remains that no longer bear a body, the shoes become a symbol of post-catastrophe identity erosion. Ravens, with their symbolism of death, transformation, and foreshadowing in cultural memory, function here as "post-catastrophic witnesses." Their careful engagement with the object offers a reading that suggests the unseen dimensions of catastrophe; the only remnant of a being's absence is its material simulation.

In this context, the work intersects with Jean Baudrillard's theory of simulation: even if the human body disappears, its signs remain in circulation; even if the represented disappears, the representative lives on. Therefore, the work positions the viewer not as an observer but as a silent witness; they make one aware of the fragility of their own existence while gazing upon a post-human space.

"Man and Raven"

2025, Rapido, Ink, Gel Pen, and Fineliner on AcidFree Paper,

29.7x42.0 cm